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The fight choreography emphasizes speed, joint manipulation, and the use of bladed weapons. Unlike the fluid dance-like quality of some Wuxia films, the Silat here is brutal and grounded. The camera work is intimate, often placing the viewer inside the fray without resorting to the "shaky cam" technique that obscures action. Long takes are utilized to showcase the athleticism of the performers, particularly Ribero and Malasan.

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