Enhanced/Dual Powered
Willem EPROM Programmer
User Guide
Main Board / Cables
Main Board PCB3.5
Main Board PCB4E
Main Board PCB5.0
Main Board PCB5.5C
|
Parallel Data Cable (Printer extension cable, with male-female 25 pin connector, and pin to pin through) |
A-A type USB cable(for power) |
|
|
|
Optional Items:
|
ATMEL 89 Adapter |
ATMEL PLCC 44 Adapter |
TSOP 48 Adapter |
|
|
|
|
|
FWH/HUB PLCC32Adapter |
PLCC32 Adapter |
SOIC Adapter(Simplified) |
|
On-Board |
On-Board |
|
|
AC or DC Power Adapter (9V or 12V, 200mA) |
SOIC Adapter(Professional) |
|
|
|
|
|
The show uses warm, rustic tones to recreate the 1980s aesthetic perfectly.
Here are some key highlights from Mastram episode 5: mastram episode 5 hiwebxseriescom
| Theme | How It’s Rendered in Ep 5 | |-------|--------------------------| | | Mastram’s internal monologue and the journalist’s probing highlight the gray area between art and exploitation. | | Power & Control | The merger subplot illustrates how corporate greed can manipulate creative spaces. | | Identity & Anonymity | The pseudonym “Mastram” becomes a double‑edged sword—protecting the author yet stripping him of accountability. | | Surveillance & Blackmail | The hidden ledger and the black‑mail investigation hint at a network of surveillance that threatens personal freedom. | | Gender Dynamics | Female characters (Jiya, the publishing house’s senior editor) are portrayed as agents of change, challenging the patriarchal status quo. | The show uses warm, rustic tones to recreate
If you are watching purely for the visual experience, you will notice a distinct shift in the director’s approach. Episode 5 is shot by cinematographer Anuj Rakesh (fictitious placeholder for the real artist), who employs a technique called "de-saturation over time." | | Identity & Anonymity | The pseudonym
Plays the female lead with a mix of innocence and maturity.
Hardware Installation & Configuration
|
Installation Steps
(Note: the LPT port of PC MUST set to ECP or ECP+EPP during BIOS setup. To enter the BIOS setting mode, you need press "Del" key or "F1" key during the computer selftest, which is the moment of computer just power up.)
Software Version To Use | |||
| |||
|
| |||
|
The software interface:
| |||
|
| |||
|
Hardware
Check
| |||
|
PCB3.5/PCB4E
PCB5.0
PCB5.5C
Note: the Vcc setting jumper only has effect when you are using AC adaptor as power source. For the USB power only 5V Vcc is available. For the PCB5.5C, set DIP steps: 1. press DIP Set button twice to check current DIP bit position. Then set it again for ON or OFF. 2. press DIP Bit shift button to shift the DIP bit position to where need to set. And then press DIP Set button twice to check current DIP bit position. Then set it again for ON or OFF. 3. Repeat those steps till all DIP bit ae set same as software indicated. For PCB5.5C voltage and Special chip selection: 1. Put back the safety jumper. 2. Press the voltage button and hold for 1 second, the voltage LED should move to next. Repeat till desired voltage LED light up. 3. Press the chip selection button and hold for 1 second, the chip LED should move to next. Repeat till desired LED light up. 4. Remove the safety jumper to lock the selected voltage and chip selection DIP Switch (PCB3.5, PCB5.0)
When programming one chip, follow the program prompt to set DIP switch .
|
The show uses warm, rustic tones to recreate the 1980s aesthetic perfectly.
Here are some key highlights from Mastram episode 5:
| Theme | How It’s Rendered in Ep 5 | |-------|--------------------------| | | Mastram’s internal monologue and the journalist’s probing highlight the gray area between art and exploitation. | | Power & Control | The merger subplot illustrates how corporate greed can manipulate creative spaces. | | Identity & Anonymity | The pseudonym “Mastram” becomes a double‑edged sword—protecting the author yet stripping him of accountability. | | Surveillance & Blackmail | The hidden ledger and the black‑mail investigation hint at a network of surveillance that threatens personal freedom. | | Gender Dynamics | Female characters (Jiya, the publishing house’s senior editor) are portrayed as agents of change, challenging the patriarchal status quo. |
If you are watching purely for the visual experience, you will notice a distinct shift in the director’s approach. Episode 5 is shot by cinematographer Anuj Rakesh (fictitious placeholder for the real artist), who employs a technique called "de-saturation over time."
Plays the female lead with a mix of innocence and maturity.
