Herbert-Caesari argues that singing is primarily a mental process. The singer must form a clear "mental image" of the desired sound, which then directs the physical vocal mechanism to act automatically.
He identifies three distinct vocal "gears": Chest Voice (Voce di Petto): The basic, robust mechanism.
Herbert-Caesari argues that singing is primarily a mental process. The singer must form a clear "mental image" of the desired sound, which then directs the physical vocal mechanism to act automatically.
He identifies three distinct vocal "gears": Chest Voice (Voce di Petto): The basic, robust mechanism. the voice of the mind edgar f herbert caesari pdf exclusive