Leah Dizon - Girls.of.360.issue.2 !!link!! -

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Leah Dizon - Girls.of.360.Issue.2

Make a custom mix with EQs, volumes and panning with our multitrack version of Like A Prayer, as made famous by Madonna.

About this multitrack:

Artist: Madonna Genre: Pop Release date: 1989 Duration: 5:47 Key: E (Original key) Tempo: 113.88 BPM Fadeout: there's NO fadeout in the end Language: English Channels quantity: 11

[Lead Vocal, Backing Vocals, Synthesizer, Piano, Electric Guitar, Electric Guitar (right), Electric Guitar (left), Bass, Percussion, Drum Kit, Metronome]

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This multitrack is available only for Premium Members 01_Intro_count.wav 02_Drum_Kit.wav 03_Percussion.wav 04_Bass.wav 05_Electric_Guitar_(left).wav 06_Electric_Guitar_(right).wav 07_Electric_Guitar.wav 08_Piano.wav 09_Synthesizer.wav 10_Backing_Vocals.wav 11_Lead_Vocal.wav full_mix(demo).wav mix_wBack.wav mix_noBack.wav

This Pop composition from our stems collection might be used by:

Cover-bands using backing tracks on their concerts and repetitions
Vocalists performing such songs from Lulu Smith's repertoire as “Like A Prayer”
Professional singers
Musicians playing on the electric guitar
Performers on the bass guitar
Drummers (acoustic)
Acoustic piano performers
Musicians playing in the rhythm-group on the percussion instruments

Aritst Info

Madonna

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Leah Dizon - Girls.of.360.issue.2 !!link!! -

: Personal segments where Dizon discusses her early career and aspirations. Featured Models

Leah Dizon’s career trajectory is a case study in viral fame (pre-social media). Leah Dizon - Girls.of.360.Issue.2

Leah Dizon (Profile & Career Retrospective) Context: Featured in Girls of 360 (Issue 2 era, c. 2006–2008) : Personal segments where Dizon discusses her early

: Short segments and previews of her performance in this issue are occasionally found on video platforms like under titles such as "Leah Dizon USA Premium Edition". Mp4?leah dizon girls of 360 issue 2 - kyrkfoldvor " the photographer called out.

"Okay, Leah-san, we’re ready," the photographer called out.

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