: These versions remove those mattes, showing "extra" picture information at the top and bottom. In some scenes, like the fight with Vernita Green, this can enhance the experience by showing more of the action. Trade-offs
However, filmmakers often "protect" the frame. They shoot the image on a negative or sensor that captures a taller image (usually 1.33:1 or 1.78:1). They then mask off the top and bottom to give you the 2.35:1 composition.
aspect ratio, the open matte version expands the vertical view, often to a 1.78:1 (16:9) ratio, to fill modern widescreen televisions. Understanding the "Open Matte" Format Source Technique was shot on Super 35mm
It offers a unique historical perspective. It is the "deleted scenes" of framing. Watching the Bride swing the Hattori Hanzo sword with an extra 200 pixels of sky above her is a thrill.
Kill Bill - Vol 1 -2003- Open Matte -1080p Web-... !!top!! -
: These versions remove those mattes, showing "extra" picture information at the top and bottom. In some scenes, like the fight with Vernita Green, this can enhance the experience by showing more of the action. Trade-offs
However, filmmakers often "protect" the frame. They shoot the image on a negative or sensor that captures a taller image (usually 1.33:1 or 1.78:1). They then mask off the top and bottom to give you the 2.35:1 composition. Kill Bill - Vol 1 -2003- OPEN MATTE -1080p Web-...
aspect ratio, the open matte version expands the vertical view, often to a 1.78:1 (16:9) ratio, to fill modern widescreen televisions. Understanding the "Open Matte" Format Source Technique was shot on Super 35mm : These versions remove those mattes, showing "extra"
It offers a unique historical perspective. It is the "deleted scenes" of framing. Watching the Bride swing the Hattori Hanzo sword with an extra 200 pixels of sky above her is a thrill. They shoot the image on a negative or
