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Without revealing critical plot twists, the narrative shift from a haunting caused by a vengeful ancestor to a revelation regarding Japanese colonialism is pivotal. The "iron spikes" driven into the Korean mountains—a historical reference to the Japanese attempts to sever the "veins" of the Korean peninsula—serve as the film's underlying antagonist. The film posits that the supernatural horror faced by the protagonists is a manifestation of colonial violence. The grave is not just a resting place for the dead, but a capsule for unresolved historical trauma. By physically exhuming the grave, the characters are forced to confront a history that the nation has struggled to bury.