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India’s film output exceeds 2,000 titles per year, with regional industries (Bengali, Malayalam, Marathi, etc.) accounting for a sizable share. While Bollywood enjoys robust domestic and overseas distribution networks, many regional productions remain confined to limited theatrical runs and fragmented home‑media releases. “The Diary of West Bengal” (2024) is a case in point: praised for its nuanced storytelling and authentic depiction of Kolkata’s sociopolitical landscape, the film garnered only a handful of screenings in metropolitan multiplexes and modest DVD sales.

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