The screen flickered, and the sky over a ruined Empire State Building filled the frame. But this was not the Oblivion the world had known. The commercial Blu-ray trapped the action in a narrow letterbox—claustrophobic, framed for the theater. MrMovi had done something else. He had fused the 2.35:1 Blu-ray with the 1.78:1 Open Matte broadcast master, scene by scene, sometimes frame by frame.
The result was vertical liberation.