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Yet the essay ends not with celebration but with a question. If entertainment content becomes infinitely personalized, infinitely available, and infinitely responsive, what happens to the shared cultural text? The Lord of the Rings that your mother watched, the Game of Thrones finale that your coworkers angrily dissected—these were anchors of collective experience, flawed and fixed. On 25 02 06, we have traded those anchors for a million life rafts, each drifting on its own algorithmic current. We are more entertained than any humans in history. But we may also be, for the first time, entirely alone together.

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