The problem was that the original scene was too sad. Test audiences had “extracted” (PESP’s word for cried) for an average of six minutes. That was bad. Five minutes was the sweet spot—enough to feel meaningful, not enough to feel manipulative. Leo’s task was to insert a one-second subliminal frame of a laughing puppy into the explosion sequence. It would subconsciously anchor a micro-dose of relief, cutting the grief curve just before it became uncomfortable.
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