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Films like Ee.Ma.Yau (a father’s death and the struggle for a grand Christian funeral) expose the absurdities of class and ritual. Nayattu (The Hunt) follows three police officers on the run, exposing how the state’s machinery crushes the lower rungs of the caste hierarchy. Aavasavyuham (The Vortex), a mockumentary, uses a sci-fi frame to discuss caste discrimination in a remote village. These are not social melodramas; they are uncomfortable documentaries on the hidden wounds of Malayali society.