However, as the film progresses, it becomes clear that the line between reality and performance is becoming increasingly blurred. Deborah's behavior, which initially appears to be a result of her Alzheimer's, is gradually revealed to be a result of a supernatural force that is taking over her body. This force, which is depicted as a kind of demonic possession, causes Deborah to perform actions that are both disturbing and inexplicable.
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The film brilliantly blurs the line between neurodegenerative disease and demonic possession, suggesting that Deborah’s deteriorating mind has left a "door open" for a parasitic demonic entity. The climax, involving a cave system and a ritual that went wrong in the 1970s, delivers one of the most shocking transformations in modern horror.
The film's themes of the performance of reality, the construction of reality, and the fragmentation of identity all contribute to a nuanced and complex exploration of the human experience. As a case study for the ways in which found-footage horror films challenge and subvert traditional notions of reality and fiction, The Taking of Deborah Logan offers a rich and compelling analysis.
The Horror of Forgetting: Identity and Possession in The Taking of Deborah Logan The Taking of Deborah Logan
