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The primary engine driving this genre is the "demystification" of the celebrity.

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But at its best? The entertainment documentary becomes a horror film in soft focus. Consider Fyre: The Greatest Party That Never Happened —not about art, but about the transactional nihilism beneath the influencer economy. Or Jane’s Addiction’s recent archival pieces, which show how creativity and self-destruction share a payroll. These docs don’t demystify fame; they reveal that the mystery was always just a spreadsheet with better lighting. The primary engine driving this genre is the