Critics have largely hailed this account as one of the finest in the MTT/SFS cycle. While some reviewers noted Tilson Thomas’s tendency toward slower-than-average tempi in the third movement, most agree that the "exemplary" playing of the San Francisco Symphony and the detailed recording quality make it a "disc not to be missed". Mahler: Symphony No. 4 by Michael Tilson Thomas
(Super Audio CD), which includes a lossless CD stereo layer playable on standard players and a high-resolution multichannel layer for SACD systems. Lossless Availability Critics have largely hailed this account as one
There is no single "definitive" recording of any Mahler symphony. Bruno Walter’s 1945 version has historical weight. Ivan Fischer’s Channel Classics recording is audiophile gold. Lenny’s 1960s New York Philharmonic is explosive. 4 by Michael Tilson Thomas (Super Audio CD),
The year was 2003. The location was Davies Symphony Hall. The air in San Francisco that week had been thick with the particular energy that Michael Tilson Thomas (MTT) brought to Mahler—a mix of obsessive precision and sweeping, Hollywood-esque grandeur. Elias had been there, sitting in the cheap seats, a broke music student with a battered pair of binoculars. He remembered the way the light caught the dust motes over the stage during the sleigh bells of the opening movement. 2003) 🌟 Key Features Artistic Interpretation
Hybrid SACD (Stereo/Multichannel), available in lossless 24-bit download Venue: Live at Davies Symphony Hall (Sept 24–28, 2003) 🌟 Key Features Artistic Interpretation